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USD75000 至 USD150000,競(jìng)得概率≈80%
USD150000及以上,競(jìng)得概率≈90%
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| 品類 | 中國書畫 |
| 描述 |
XU BEIHONG GODDESS NUWA PAINTING
Artist: Xu Beihong (19 July 1895 - 26 September 1953) Nuwa, the Goddess Mending the Heavens. Depicting Godess Nuwa, a celestial maiden ascending through clouds while presenting an auspicious rock, the present work combines mythological subject matter with elegant figure painting. Rendered in delicate color washes and fine brushwork, the figure is shown wearing flowing robes and a feathered skirt, her ribbons drifting through a radiant sky. atic composition, with its luminous clouds and atmospheric effects, reflects the artist’s interest in combining traditional Chinese painting with elements of Western modeling and spatial depth. The elongated figure, carefully rendered facial features, and richly colored garments create a strong sense of movement and spiritual transcendence. The inscription appears to identify the subject as Bu Tian (Mending the Heavens), referring to the ancient Chinese legend of the goddess Nüwa repairing the sky. The painting thus symbolizes restoration, renewal, and cosmic harmony. Ink and color on paper, Yisebiao mount, Vertical Axis Painting (Sight): 130cm H x 69.5cm W Signed/Seal(s): Signed, with a seal PROVENANCE: Acquired from a prominent collector, representing an important private collections. The collections presented and offered up to auctions from Lot 25 through Lot 136; and additional related documents and or manuscripts from Lot 137 to Lot 228. Wei Tao-Ming (Wei Daoming), (October 28, 1899 - May 18, 1978) was a prominent Chinese diplomat, statesman, and senior official of the Republic of China. Born in Jiangxi Province, he studied law in the United States and became active in the Nationalist government under Chiang Kai-shek. During the Second World War, Wei served as the Republic of China's Ambassador to the United States from 1942 to 1946, playing an important role in strengthening Sino-American relations during the Allied war effort. He later held several key government positions, including Governor of Taiwan Province (1947-1949), Ambassador to Japan, and Minister of Foreign Affairs of the Republic of China from 1966 to 1971. Wei remained an influential figure in Chinese diplomacy throughout the mid-twentieth century and was closely involved in the Republic of China's international affairs during a period of major political transition in East Asia. ARTIST BIO: Xu Beihong (19 July 1895 - 26 September 1953) was a Chinese painter born in Yixing, Jiangsu province. He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes, a show of his high proficiency in an essential Western art technique. Xu began studying classic Chinese works and calligraphy with his father Xu Dazhang when he was six, and Chinese painting when he was nine. In 1915, he moved to Shanghai, where he made a living off commercial and private work. He traveled to Tokyo in 1917 to study arts. When he returned to China, he began to teach at Peking University's Arts school at the invitation of Cai Yuanpei. Beginning in 1919, Xu studied overseas in Paris at the Ecole Nationale Superieure des Beaux - Arts, where he studied oil painting and drawing. His travels around Western Europe allowed him to observe and learn Western art techniques. Xu Beihong still wrote regularly for the Daily University of Peking University that dealt with wider issues then just campus politics. Xu addressed issues of Art and Art History and in 1920 a university art journal called Painting Miscellany was published. Xu Beihong and Jiang Biwei. He and his partner Jiang Biwei came back to China in 1927 and, from 1927 to 1929, he gained a number of posts at institutions in China, including teaching at National Central University (now Nanjing University) in the former capital city Nanjing. In 1933, Xu organized an exhibition of modern Chinese painting that traveled to France, Germany, Belgium, Italy, and the Soviet Union. During World War II, Xu traveled to Southeast Asia, holding exhibitions in Singapore and India. All the proceeds from these exhibitions went to Chinese people who were suffering as a result of the war. |
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| 拍行 | Eden Fine Antiques Galleries LLC | ||||||||||||||||||||||||||||||
| 拍賣會(huì) | 2026年夏季亞洲藝術(shù)專場(chǎng) | ||||||||||||||||||||||||||||||
| 專場(chǎng) | 中國書畫私人收藏專場(chǎng) | ||||||||||||||||||||||||||||||
| 時(shí)間 | 2026年08月21日 21:00(當(dāng)?shù)貢r(shí)間21日 09:00) | ||||||||||||||||||||||||||||||
| 傭金 | 0 - $100,000:23%;$100,000-$1,000,000:18%;$1,000,000:15% | ||||||||||||||||||||||||||||||
| 競(jìng)價(jià)階梯 |
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(此階梯只作為參考,拍賣師會(huì)根據(jù)現(xiàn)場(chǎng)情況進(jìn)行調(diào)整) |
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| 地區(qū) | 美國 / 紐約 |
| 競(jìng)買須知 |
1、易拍全球作為平臺(tái)方,展示拍賣行自行發(fā)布并上傳的拍賣及拍品信息,競(jìng)買人需自行判斷拍品價(jià)值。競(jìng)買人須認(rèn)真閱讀本平臺(tái)公示的相關(guān)條款及信息,您的參拍行為表明您已經(jīng)充分知悉并同意。 2、競(jìng)得拍品后: 拍賣行慣例是先收到全部拍品款后安排發(fā)貨,拍品不同于普通商品,拍賣行通常不接受退換貨。 3、服務(wù)費(fèi):對(duì)于通過“易拍全球”網(wǎng)絡(luò)平臺(tái)參與競(jìng)拍活動(dòng)并成功競(jìng)拍的競(jìng)買人用戶,易拍全球?qū)⑹杖「?jìng)買人一定比例的平臺(tái)技術(shù)支持服務(wù)費(fèi)。收取的相關(guān)費(fèi)用以平臺(tái)支付頁面列明的結(jié)算金額為準(zhǔn)。 4、競(jìng)買人應(yīng)自行安排結(jié)算與物流。所有進(jìn)入中國海關(guān)的包裹,競(jìng)買人須如實(shí)申報(bào)。競(jìng)買人須充分知悉運(yùn)輸環(huán)節(jié)可能發(fā)生的損毀滅失等風(fēng)險(xiǎn),慎重做出包裝、運(yùn)輸、保險(xiǎn)方案等選擇。 5、違約責(zé)任: 競(jìng)買人成功競(jìng)得拍品后,若未按照拍賣行規(guī)則支付拍賣款項(xiàng),競(jìng)買人須根據(jù)該場(chǎng)拍賣會(huì)規(guī)定的保證金比例承擔(dān)違約賠償責(zé)任,拍賣行不接受違約的場(chǎng)次除外。 6、未競(jìng)得拍品: 保證金將退回競(jìng)買人賬戶,可用于參拍其他場(chǎng)次或提現(xiàn)到銀行卡。 |
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